Above Us Only Sky

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  For Christopher Robin, my son

  The reason birds can fly and we can’t is simply because they have perfect faith, for to have faith is to have wings.

  —J. M. Barrie

  PART ONE

  Much unhappiness has come into the world because of bewilderment and things left unsaid.

  —Fyodor Dostoevsky

  1

  Prudence

  When I was born, the doctor said, “I’m sorry.”

  I had a full shock of dark hair and long legs like the rest of the women on Freddie’s side of the family, but no one noticed these things. No one saw anything but the wings, which were heart-shaped, crinkled like a paper fan. They were smaller than Freddie’s palm, slick with primordial ooze, compressed accordion-style against my back. The doctor whispered, “Some kind of birth defect.” Defect. “How some kids are born with tails and others with cleft palates.” He mopped his brow. “But I’ve never seen anything like this.”

  My birth was not particularly pleasant. As a matter of fact, I think that as a fetus and then a baby and then a human being, I came between my parents. Before I emerged, Freddie and Veronica were in love, and they might’ve remained that way if it weren’t for me. But it’s not my fault that they had unprotected sex. It’s not my fault or my doing that they mixed this mad concoction that produced a Prudence Eleanor Vilkas. My father chose the first two names. Vilkas is my surname, my Lithuanian birthright, the name I share with the Old Man. This story is as much about him as it is about me. We are mixed up, tied together by twine and twig, the stuff of nests.

  Freddie said, “Little bird. Our Prudence is a little bird.” If I’d been a boy, I was to be Paul or John. He wasn’t sure. He hadn’t wanted to choose between them: Paul McCartney and John Lennon. He’d wanted a girl, and here I was. He was smitten even while I was slimy with bird wings and birthing. He loved me. Like a male bird, he had a maternal reaction. He loved me more than he’d ever loved anyone. I was from his loins, from his high-functioning sperm. He was in awe of what he had wrought. I’d been caged inside my mother’s womb and now I was let loose upon the world. Upon him.

  On the day I was born, I usurped my mother’s importance. These things happen. Freddie wasn’t letting me out of his sight. He insisted on helping the nurse clean me up. “Just look at that,” he said. “She’s amazing.”

  “This is highly unorthodox,” the nurse informed him.

  “Leave him alone,” the doctor scowled. “The poor bastard has a bird for a daughter.”

  My father’s Caribbean-blue eyes were probably my first clear image outside the womb. Freddie was a looker, which is one of the reasons he and Veronica got together. He’s the kind of man that women know they should stay clear of, but they never do. He isn’t a bad guy, just his own man with his own dreams, so monumental that they supersede the rest of the world, including any woman. Not me. I wasn’t a woman. I was part of the dream, part of him, a contributor to his life’s accomplishments.

  As the nurse tried to discern my Apgar score, Freddie cooed. The nursing staff would’ve never allowed him to participate in this initial examination, no matter what the doctor said, but they were alarmed, taken aback by my wings. Do the wings, they must’ve wondered, give her a zero score for appearance? Do they affect her respiration? They’re seemingly close to the lungs. There should be a battery of tests. Someone should telephone Ripley’s Believe It or Not!

  I was swaddled and my Apgar score recorded at one minute and again at five minutes, both times as six out of ten, due to my appearance and a general concern for my future ability to breathe. Freddie followed me to the nursery, where he remained, making faces at the glass. Hours later, he held me in the recovery room. The doctor returned smelling of vodka. Veronica was being administered drugs for the episiotomy and follow-up stitches. She was not going to nurse because “there’s something wrong with it.” She meant me. She didn’t want to hold me either. I don’t blame her. Not really. Freddie said, “What’s wrong with you? This is our baby.” Veronica was twenty years old, with no clue that there are sometimes babies born with wings. Freddie gave me my first bottle of formula. If he’d had mammary glands, he would’ve nursed me. The doctor said, “There will be no tests.” Having overheard the nurses, he added, “No one is calling Ripley.” He cleared his throat. “It’s not a big deal. We’ll incise the bifurcated protrusions when she’s a little older.”

  From then on, they were bifurcated protrusions and not wings, to everyone but Freddie. And me. And later Wheaton and the Old Man.

  Freddie didn’t know that our family birthed birds. The Old Man, Freddie’s father, my grandfather, had never told him, or if he had told him, my father hadn’t listened.

  The doctor told my parents, “If there are no emergencies in the meantime”—I guess an emergency would’ve been if I’d started flying around the house—“we’ll operate when she’s five months old. I’ll take some X-rays.”

  “The sooner the better,” Veronica said.

  On September 10, 1973, my wings were surgically removed. They weren’t biopsied, stored in formaldehyde, or shipped to a freak show. They were discarded as medical waste.

  For the next seven years, I lived wingless in Nashville. I was a good kid, or at least a caring one. I tried to resuscitate road kill. I had a first-aid kit and pretended to be a veterinarian and sometimes Florence Nightingale. I wore a white handkerchief over my dark hair. Taking care of baby birds, feral kittens, and squirrels fallen from their nests, I got cat scratch fever twice and had to take a monthlong course of antibiotics both times. I kept toads, turtles, and Japanese beetles for pets. I liked getting along. I didn’t want to upset anyone, not Freddie or Veronica. I always had this feeling like I was standing on a precipice and if I did something wrong, we’d all topple over. Because I was in the middle, I was the glue holding us together. I was grateful for the smallest things, even the starlings who, unable to nest in my hair, defecated there instead. Freddie called me little bird, even though there were no wings, just scars. He played acoustic guitar and sang, “The sun is up, the sky is blue, it’s beautiful and so are you.” There were instruments strewn and stacked throughout the house. Freddie played whatever was closest.

  Those first seven years were good. In fact, compared to the next seven, they were downright stellar. I remember watching Saturday morning cartoons, Freddie still half-asleep, drinking coffee and tickling me. Veronica liked Bugs Bunny. On Saturdays, when we were all home at the same time, we did what I’d later consider normal family activities. We played kickball in the front yard. If it rained or there were too many mosquitoes, we piled on the couch and watched an old movie, whatever was on TV. In the evening, Freddie made homemade pizza or chili. He and Veronica kissed a lot and said how much they loved each other. After I’d gone to bed, Freddie left the house to play music. But before I went to sleep, when they were both in my room, Veronica or Freddie reading to me (they took turns), I pretended Freddie wasn’t leaving to play music. I pretended that every night would be like this, the three of us together. Then, just as I’d doze off, I’d hear the car door squeak open and shut. I was happy. I was just a kid.

  I attended kindergarten through half of second grade in Nashville. Freddie played his music, and Veronica worked thirty-eight hours, just shy of the forty-hour week that
would’ve gotten her health insurance, at the Piggly Wiggly. Punching a clock, she rang up pork chops and potato chips. I don’t know if things would’ve ended like they did if John Lennon hadn’t been shot and killed. It was not only the end of a man’s life but the end of my parents’ love song. I wonder how many other relationships came to an end on December 8, 1980.

  Already, even though it was four months off, I was looking forward to my birthday. We were going to rent a trampoline. I was inviting six girls to my party. Freddie had Monday Night Football on the TV. Mostly, he just listened to the games and tinkered with his instruments. On this particular night, the sports announcer, Howard Cosell, interrupted the game. He said, “John Lennon was shot; John Lennon was pronounced ‘dead on arrival’ at Roosevelt Hospital.”

  December eighth was the end. Seeing Freddie bereft, on his knees riffling through albums and crying, convinced Veronica that she’d made a mistake. In Freddie, she suddenly saw her own father, a man obsessed with form and scales, a piano teacher puzzled by emotions. Not that Freddie was cold. But he loved music more than he loved her, and she was tired of competing when there was no chance of winning. That night, she packed our possessions more carefully and far more slowly than she’d packed the night she ran off with Freddie. She was still debating what to do, folding T-shirts, flipping through our only photo album, and eavesdropping on Freddie in the living room. I don’t think she wanted to leave. I think she wanted to get his attention, but sometimes when you start something, you end up following through with it no matter your intentions and the repercussions. I think that this is what happened to Veronica, and by extension, to me.

  The next morning, the three of us stood in the driveway. Freddie and Veronica smoked cigarettes. “What are you doing?” he asked. His face was red from crying all night, not because of us leaving, but because John Lennon was dead. He said, “Don’t go, Veronica. Come on. What the hell are you doing? Seriously?” I think that if he had said, “Don’t go,” and “I love you,” and left it at that, she might’ve stayed. We might’ve stayed, but he said the wrong thing, and she responded, “I can’t do this anymore.” She held back tears as I held out hope that we wouldn’t leave. In 1980, she was beautiful in that good simple way: sunny blond with brown eyes, like the state of California.

  “Tell me what you want,” Freddie said. “Tell me what I can do.”

  She didn’t say anything, but even at seven years old, I knew what she wanted. She wanted The Brady Bunch, Father Knows Best, and Leave It to Beaver. She wanted a husband who worked nine to five, who came home for dinner, who took his wife out to the movies and dancing, who had time to do what other families were supposedly doing: bowling and camping. Those normal family activities. But thinking back, half of my friends’ parents were divorced in 1980. I don’t think anyone had it as good as what Veronica imagined it was supposed to be. After Veronica got in the car and started the engine, I was still standing in the dirt. “You need to go with your mom,” Freddie said.

  “I don’t want to go.”

  “You better go.” Freddie reached into his jeans and pulled out his pocket watch. “Keep this for me.” Holding it, I could see my reflection in the polished gold. At seven years old, I didn’t know that a watch could tell not just time but a family’s history. I didn’t know the significance of the gold timepiece my father nightly set by his bed. I slipped it into my pocket, thinking it was a stupid gesture. He might as well have given me a mint. I wanted my dad, not some piece of men’s jewelry. On that cool December morning, I thought we’d be gone for a day or two. At most, a week. I had no concept that my life was changing forever.

  Two days ago, my Oma telephoned to tell me that the Old Man had been hospitalized. She said, “He doesn’t have much time, Prudence.”

  The last time I saw him was six months ago. He’d looked slight, half his former self, his beard scraggly, his face jaundiced. His blue eyes had lost their luster. When I asked him how he was feeling, he said, “Fit as a fiddle.” We sat together in his study, and he lit a cigar.

  “You shouldn’t be smoking,” I told him.

  “Don’t lecture me!” He pulled on his cigar. “Are you up to no good?” he asked. “What good do you know? Are you teaching the kids birds? What do you do this month?”

  Interpreted, he meant, “Do you still have a job as a teacher of ornithology?”

  I teach budding zoologists at the Eastern Coastal Aquarium. I run the aviary, lecturing students from middle-school to college-age about birds: mating, roosting and nesting, diets and migration. I teach my students about environmental impacts; why some birds are louder than others. Why some birds don’t mate forever but find a new mate every couple of years. I love my job. The Old Man thinks it’s peculiar that birds have their own science. He thinks birds have more to do with art than science. He’s a smart man.

  I know that old people die, but the Old Man has been old since I met him. He’s not supposed to die. We used to talk a lot about history, about the notion that life loops over and eventually you’ll catch up with your younger self. Things repeat. Life keeps happening. Maybe that’s what’s happening now, maybe the Old Man is slowing down to catch up, and he’ll leave the hospital a younger Old Man. All better.

  He used to say that the observers, people like us who like to watch the birds, are far wiser than the TV watchers. We learn more from the birds, including how to nurture, how to sing, and how to adapt and change. You don’t learn anything watching wars play out on the evening news.

  When we take the boats out to tag migratory birds on their way to warmer climates, I always think about my first visit to Lithuania with the Old Man. He was amazed that I knew the names of so many birds. His mother was loony for vast-winged birds like gooneys, big birds that can traverse a whole ocean. The Old Man didn’t know that I’d been studying coastal birds since I was eight. On the phone, I asked Oma, “What’s wrong with him?”

  “He’s old, Prudence.”

  It’s June 1, 2005, so he is eighty-four. When I met him, he was sixty-eight.

  “He should live to be one hundred.”

  Oma sighed deeply.

  “I don’t want him to die,” I said. That’s not how the Vilkas family rolls. We don’t lie down in some hospital bed. We take a bullet to the brain.

  Oma sighed again. I knew I was being ridiculous. She’s spent her life with the Old Man. If anyone has a right to be upset, it’s her.

  “If you’re going to come,” she said, “you should come soon.”

  2

  Prudence

  There’s this quickening and breathlessness at night that calls to mind the baby birds we’ve rescued. The insides of their mouths are pink, nearly the color of the setting sun. They are the most vulnerable creatures in the world, which is how I feel now. Exposed, ravenous for life, for one more trip to Lithuania, one more adventure with the Old Man.

  I called Oma this morning. “How’s he doing?”

  “Not good, Prudence.” Her voice broke. “Are you coming?”

  “Of course I am.”

  When I met the Old Man, I was sixteen, rubbing my scars like pieces of flint, praying for a spark. As it turns out, I come from a long line of leggy bird women, women to whom I am allied by blood and birthright. The Old Man knew our history. When we finally met, he told me about the birds.

  The first one we know about was named Aušrinė. She was the Old Man’s grandmother. Her name is Lithuanian for the morning Venus, the Sun’s daughter. According to the Old Man, she was a girl hiding beneath the thick Lithuanian forest, her own wings bound by strips of cloth. She was an only child, always within reach of her parents, living under brush and pine, in trenches, battling Czar Alexander II’s Cossacks in the darkest night, hand to hand, knife to knife. Aušrinė crouched beneath her mother’s skirts, three of them—khaki, dirt brown, and potato-­colored—sometimes all worn at once. Every few days, Aušrinė’s mother washe
d one of the skirts in a stream and beat it against a rock, and then she wore two. Once that skirt had dried, Aušrinė’s mother made it the top skirt, and Aušrinė’s worldview alternated from khaki to dirt brown to potato. After midnight, nearby villagers, supporters of the freedom fighters, ventured toward the forest and left baskets of food, but it was never enough.

  In January, the fresh skirt froze along with Aušrinė’s mother’s hands so that none of the skirts was particularly clean or warm. Within this frozen cocoon, Aušrinė held fast to the heat of her mother’s thigh.

  The Old Man heard these stories from his mother, who heard them from Aušrinė. These stories are as much a part of me as my own life experiences. When I feel the warmth of an injured dove in my hands, its tiny heart pounding, I think of Aušrinė, vulnerable, terrified, holding fast to her mother’s thigh.

  According to the Old Man, the trees came to life back then, shaking black dirt from their roots. They marched forward, a brave effort to bolster the freedom fighters; their tall piney boughs turning into knobby arms, they tossed the Russian soldiers from their midst. The pines meant to protect their people, the Lithuanian freedom fighters, but it was not hard to light a match or follow a trail of boots to a hole where a man, woman, and little girl hid. Eventually, all the freedom fighters would be shot or rounded up. Aušrinė’s parents were killed because they wanted to be Lithuanian and not part of Western Russia. Aušrinė would be dragged from the forest. Her body was limp. Her parents were dead. Her head was shorn to protect her from lice and rape. It was January 1864, and she was walking beside other orphaned girls, girls pretending to be boys, their faces smudged with dirt. She was taken to her grandparents, who were already walking away from Lithuania. She would now walk with them. No one told the exiles where they were going, only that they were going.